This is the largest exhibition of his work to date and includes large-scale photographic prints from throughout his career including previously unpublished material as well as hand-drawn story-boards, drawings, polaroids and magazines, offering an intimate insight into Aldridge’s point of view and process.
Women and colour are Aldridge’s twin obsessions. His work is filled with glamorous, beautiful women from dazed housewives and decadent beauties to sunbathing sexpots and ecstatic Virgins. Luscious colours dazzle from every image – blood red ketchup splashes against a black and white floor; a mouth drips with gold; egg yolk oozes across a plate. But the technicolour dream world of seemingly perfect women with blank expressions belies a deeper sense of disturbance and neurosis. Look more closely and there is silent screaming, a head pushed down on a bed, a face covered in polythene, a woman pushing an empty swing.
Aldridge’s work has never been constrained by the demands of the fashion world. Working like an auteur filmmaker, his view of the world is wide and deep. His many influences include film directors such as David Lynch and Federico Fellini; the styled elegance of fashion photographer Richard Avedon and the psychedelic illustrations of his father, Alan Aldridge. Each image is immaculately crafted, often starting with story-board drawings so that the final image lies somewhere between cinema and photography.
10 July – 29 September 2013
Daily 10.00-18.00 (Last admission 17.15), until 21.00 Thursdays (last entry 20.15) except 26 Sept
Embankment Galleries East, South Wing
£6 (£4.50 concessions), £3 on Mondays (excluding Bank Holidays)